On August 2, it is the seventh day of the seventh lunar month. Lighting designers gathered in Qingcheng Mountain, Sichuan, talking about lighting and talking about design. Qingcheng Mountain, the fifth hole of Taoism. Qingcheng has a fascinating charm. According to this fairy tales, this mountain became the ancestral mountain of Tianshi Road. After nearly two thousand years old, the Qingcheng Mountain Road is endless, and the real people are born. Nowadays, the Taoist Holy Land is the world's attention. Qingcheng stretches for a hundred miles, the peaks are green, the Linquan is high, the situation is steep, and the shape is like the city, so it is Qingcheng. Also heard the Yellow Emperor Xuanyuan's Yunyou Sanshan Wuyue, when he went to Qingcheng, he felt like an elder, drooping and not being old, and waking up like a spring day, his five-year-old Yushan. With these two god-level figures praised, how can Qingcheng not be famous all over the world? Dao Dao, non-constant, nameable, non-constant. The Taoist theory of Wang Xuan, a Taoist scholar in the Tang Dynasty, believes that the Tao is divided into a constant road and a Tao. The Hengdao is true and true. It produces the heavens and the earth, and the heavens and the earth remain unchanged forever. But the Tao is impermanent, false, and produces everything. Everything has life. Off. Taoism believes that the Tao is the true, unique, absolute, and full of everything; it is the beginning, the last, the source, the beginning. The Tao is an eternal being, not born and destroyed with the survival of all things. Designers must recognize the laws of this universe, and learn to change and change in the same way. The forum invited Zhang Wei, an associate professor at the School of Architecture of Tsinghua University, Li Daixiong, dean of the Urban Culture and Lighting Research Institute, He Bin, director of the Lighting Institute of the Hefei Building Municipal Engineering Design and Research Institute, and Zhu Jianxiu, director of the Lighting Design Institute of the China Academy of Art. The design of the design of the design by the director of the Institute of Lighting Design of Fujian University of Technology, Changjiang Ocean, Beijing Bafan Bamboo Lighting Design Co., Ltd., hosted by Bai Wanjun, International Designers Association Asia Pacific Director Zhao Xingpeng and Sichuan Huati Lighting Technology Co., Ltd. The big pattern is a heated discussion, or talk about military or deliberate, just for the ideal of light in the heart. Topic 1: The black box about lighting Zhang Wei: Let me first share some interesting things at this year's Venice Biennale. This time, Weishuang is the best in recent years. The topics discussed are very open, involving movies, drama, music and architecture. The building exists in the era, as if the salt melted into the water. This is the biggest gain I made at the Biennale. White water and salt water are no different in appearance, but tastes different, just like architectural design can't jump away from the times. The Venice Biennale is divided into three regions and three exhibitions: the absorption of modernism, the basic principles of architecture and the special exhibition of Italy. Among them, the basic rule of architecture is to degenerate the building to the elemental stage, including stairs, ceilings, elevators, toilets, etc., with the development of various elements to reflect the history of the building. The sum of these three exhibitions is called the return to the basic law. Using the changes of elements to reflect the history of the building can help us see something. Like a corridor, it is divided into a clear road and a dark road at the earliest. The dark road is also a kind of corridor, it is black. There are also intersections between the Ming and the Dark in certain periods, which is the origin of the corridor. Starting from a building called Nightingale, the corridor steps into the modern form, the corridor that walks clearly. A major breakthrough in the corridor is war, mainly during the first and second world wars. At this time, this space can hide many people and prevent bombs. At present, the most advanced research on corridor traffic is called the Spies mentality space syntax. Spey's mental space syntax is to give each person in the space a different personality, which can be calculated by software, such as the character of the CEO, the character of the cleaner. It seems like how these people meet in space, how to separate, how to maintain distance. For example, how long does it take people to run when a fire breaks out? It is equal to using a computer to simulate human behavior. The black box of lighting, let me talk about lighting. The first thing about lighting is to illuminate what kind of space, and some people will tell you how much to spend, type, budget, which determines your design concept, and the design concept coexists with standards, concepts and standards will fall. Introducing some numbers, at least in Western lighting design. These numbers will be reversed to calculate how to choose the light. The whole lighting thing, we call the black box, the black box is not purely rational, choose the light and the cloth light, this is the black box with the largest illumination. Some people rely on experience to cross the black box. For example, Bai Wanjun, without calculation, he used experience to cross the black box. The novice must calculate, and then the number determines the spatial feeling of the person, not the light, the light determines the energy consumption. So in the causal diagram of the whole composition, in fact, everyone will have a role. Including type, data selection, and building type will also determine people's evaluation of space. This is a narrow lighting design. In general and narrow sense of LED lighting design, if you want to talk about innovation, you must jump out of the narrow sense of LED lighting design, enter the generalized LED lighting design, which involves the Maslow's hierarchy of requirements for lighting. At present, there are two kinds of people in the LED lighting design industry in our country. One is at the bottom, they are visible, such as the illuminance standard, all are data relationships; the other is in the upper layer, they do concepts, usually with an artistic background. People are doing concepts, but they don't count. People who are particularly well-behaved usually don't paint, and people who draw particularly well usually don't talk, and they are particularly different. I found that the strongest place for foreign designers lies in the 234 level of Maslow's needs, that is, the research on the quality and grade of safety, space orientation and light manufacturing space. Of course, computing is the default basic skill of Western designers. It is a skill that you must meet. This is something that is lacking in China. It is impossible for one person to know all of the lighting, and it is impossible to learn from books such as the Lighting Manual. Because there is too much knowledge of lighting, this time everyone needs to have their own knowledge system to support, when you need knowledge. Go and search. Three conditions must be met for innovation: new technologies, new methods, and new thinking. The new method is closely related to the new technology, and it is clear that the relationship between the three is the key to innovation. Therefore, I will give a concept, aim to solve the problem correctly and complete the lighting creation, using new technologies, new methods, new thinking. Nowadays, there are many salons and forums that talk about new technologies, but there are very few forums for exploring new methods and new ideas. Topic 2: The Universal Significance of Lighting Aesthetics Jiang Haiyang: Taoism is natural, and the source of surgery is the theme of this forum. Recently, we made a lighting design for a covered bridge in Fujian Taining, a very ordinary modern antique building, four-lane, concrete truss Hongqiao structure, with a wood-like porch on top, such a bridge construction placed in a landscape The characteristic city is really beautiful. Design preaching, the road is the road, the law, the thought, the doctrine, we talk about this road in Qingcheng Mountain today, not just Taoism, we also talk about the way of design, the way of the universe, the way of getting along with people. . What does nature mean? Since I think it is everything from the inside out; of course, the ancient meaning is burning, the ancients analyze the future development of a thing by burning the cracks in the bones. Therefore, nature may contain a kind of divination in the understanding of the ancients. The way we are talking about is the heavenly way. It is the state and characteristics that exist in the changes of the cosmic movement. Do not deliberately interfere and act. So the theme I am talking about today is the design in nature, and this bridge case is a natural design process. We should not deliberately do lighting design. The result of the design comes from the cognition and decomposition of things. We must sort out the rules and find that the design can not be made into a cloud. Independence consciousness is the first step in design. Here I emphasize that it is self, not dependent on others, imitating others's as a show, that is not called. The understanding of aesthetics, the understanding of culture and the understanding of human nature are the second step. The independent consciousness is the first step, and the inner feeling is the second step. Who is the light? In the human eye, one hundred and twenty photons enter in one second, and our retina can sense the presence of light. Light is matter, and light years are the unit of distance in the sense of cosmology. The universe was not bright or dark at the beginning of the big bang, because photons could not collide with free electrons and light could not propagate. What is interesting is that there is also such an explanation in religion. The Bible says that God is in the gloom, God says there is light, there is light, and God says that light is good. So I said that many of the original religious and philosophical concepts are similar. Where does the lighting design come from? First of all, we love light, use light, praise light, and regard light as a symbol of supreme. Human beings have different emotions on light and psychological reflections of strong, quiet, dynamic, dim, uniform, dazzling and so on. You can have contact after you have this feeling, and you can have a distinction before you can finally convey it to your heart. As a message, you can tell you about the size of the circle, the temperature, the front, back, left and right, and so on. Our lighting designers are doing the greatest profession in the world, because we use light to create material convenience and spiritual touch. When we are designing, whether it is architecture, interior, landscape, lighting, etc., it comes from the heart, from nature, to provide a comfortable design process, and this opportunity is rare. When can we make indifferent designs? Turning a blind eye is one of the most casual and natural designs! Before, I saw a small stall on the side of the wide and narrow lane. Its lighting was very warm and natural. It never made me think it was a designed lighting. The lighting of that container is a kind of illumination that is invisible. I think this is a state of life. Many times, we are concentrating on the market in the weight of the market to cater to the needs of the project and cater to the needs of economic development. We have to cater to many things that we do not want to cater to. When do we have our own design? Can design guide consumption and the market? Instead of being passively chosen? Therefore, we must promote the natural light, which is pure art, which is beyond the narrow interests. Zhuangzi said: Take the qi, Yu Feilong, and travel around the world, just like the scorpion shot the mountain, the skin is like ice and snow, Zhuo is like a virgin. This supreme requirement for design is the most complete liberation of human nature, which is the aesthetics of life. Over the years, I have always emphasized aesthetic thinking in my design. Aesthetics is a part of the philosophical category about human emotions. Aesthetics always brings you the first and last performance. Where does the design originate? Originated from composition, composition is the foundation, design is the continuation of composition, design and development is art, art finally points to beauty and goodness, beauty and goodness are always the highest pursuit of mankind. Lighting aesthetics is part of architectural aesthetics, landscape aesthetics, and urban ethics. We use lighting to express the various forms of beauty that are created by architecture, structure, and materials. Similarly, we should consider the various reflected light, diffracted light, etc., which are reflected in the materials and carriers, so that various media in space can form various aesthetic concepts after actinic. Lighting without lamp and light design must first be done on the project. For the design, you should see the essential attributes of the project, and continue the analysis to develop. Just like the concrete bridge in this new era, there is still an ancient factor in a city that gradually loses its quaintness. It does provide a viewing window for a tourist city, which is very bright and dazzling. It requires a realistic consideration. It needs to have certain highlights in the city to achieve and create the humanistic beauty of the city. The locals need this, tourists need this, and the politicians need this, so I can't say that it is wrong. We looked at the trails on the covered bridge and solved the ground illumination problem through reflective lighting. This is not the natural brightness of the design space we talk about, the ingenious combination of space lighting techniques and lighting, the sequence of light and shadow is still artificial lighting design. The beauty of lighting is reflected in contrast, light, rhythm and even in many places. There is no lamp on the roof of this huge inner beam truss, but this light and shadow effect reminds me of the home atmosphere of a child, as if the candlelight on the table illuminates the whole space, reflecting a traditional Chinese wooden structure. This is an unintentional design that borrows light. What do I describe it as? No lights are self-illuminating. Clearly illuminate the structural relationship of the wooden beam transverse frame, so that the overall house lighting effect has a time to catch up. Light is cast inward from the eaves on both sides through the gap in the middle to form a light-receiving relationship. Topic 3: Creative Sources of Urban Cultural Lamps Li Daixiong: Cultural lighting fixtures are designed to make road lighting more harmonious with specific regional environments. Guided by human factors, the cultural connotation of aesthetics and representativeness is deeply explored as the source of lighting forms. This is a cultural road lighting fixture. At the time of design
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